Andrea d’Amore was born in Livorno and lives in Parco Nazionale delle Foreste Casentinesi (AR). He graduated in Literature and Philosophy in Florence, at the same time he did different experiences of cooking and making art. His practice today fuses experiences of dialogue, sharing, hospitality, cooking and convivio to create atmospheres.
Among the various exhibitions: EX3 Center for Contemporary Art, Florence; MACRO Contemporary Art Museum Rome; Luigi Pecci Contemporary Art Center, Prato; Villa Romana, Florence; Carico Massimo, Livorno; Mac,n Monsummano Terme; Fabbrica del Vapore, Milan; Deutsche Bank KunstHalle, Berlin. Among other publications: Videoart Yearbook 2010. Among the various festivals: Kinotavr, Sochi, Russia; Fabbrica Europa, Florence; Exhibitalia, Art Basel, Miami and Mahalla Biennial Festival of Istanbul. He participated in the art residences: Traffic Festival delle anime gentili, S. Lorenzo in Campo (PU); Sponz festival, Calitri (AV); Guilmi Art Project, Guilmi (CH).
cv
_OPERE
2021
Performance with and for Jeremiah Day in his If It’s For The People, It Needs To Be Beautiful, She Said. Villa Romana Firenze.
cooking a place, On Air, curate by Massimo Ricciardo, Montenero, LI.
cooking a place, On Air, curate by Massimo Ricciardo, Casentino.
There are several different houses, performance with and for Jeremiah Day, PARC performance art research centre, Firenze.
2020
Spontanea, experiential art work. Cantiere Toscana, Centro Pecci Prato.
2019
Spontanea, experiential art work. Cantiere Toscana, Fondazione Jorio Vivarelli, La casa di Gello Agrabah, Pistoia.
Detrito, lecture, “Arte e design. Al confine tra opera e oggetto”, curated by Francesca Tosi and Giacomo Bazzani, Designe Campus Firenze.
Ventre e fuoco, experiential art work, Traffic. Festival delle anime gentili, San Lorenzo in Campo (Pesaro-Urbino).
Gli assi cartesiani cartesiani e il fuoco, lecture performance with Andrea Calzolari, Villa Romana, Firenze.
Focolaio, Appendice d’artista #9 (Uriel Orlow), Villa Romana Firenze.
2018
Dieci passi dall’erosione genetica, interview @In Medias Res
Dieci passi dall’erosione genetica, dialogue with Andrea Calzolari, Library Todo Modo Firenze.
Dieci passi dall’erosione genetica, dialogue with Andrea Calzolari, BedTalks Firenze.
2017
L’anima dell’umanità, Appendice d’artista #8 (Encounters: Handling placing and looking at photographs in relation to migration, un progetto del Kunsthistorisches Institut in Florenz in collaborazione con Villa Romana, Firenze), Villa Romana, Firenze.
Dieci passi dall’erosione genetica, C.A.C.C.A. Center for Contemporary Art Food Culture, Bologna.
Hope, Mahalla Festival, 15a Istanbul Biennial.
Dieci passi dall’erosione genetica, solo exibition curated by Angelika Stepken, Villa Romana, Firenze.
Hope, Frequenze esibite, curated by Tommaso Evangelista, Isernia.
Ricavato, experiential act, curated by Tommaso Evangelista, Sponzart, Calitri (AV).
Hope, video, GRAVITY FOR ALL, @villaromana.org.
Dieci passi dall’erosione genetica, @platformgreen.org.
2016
Antropocene, Deposito d’Arte, Poppi (AR).
Hope, video, Percorsi Migranti, curated by Lucilla Saccà e Spela Zidar, selection video curated by Mario Gorni, Fabbrica del Vapore, Milano.
Pervaso, Appendice d’artista #7 (Yann Monel), Villa Romana, Firenze.
Clandestino, Resume, Carico Massimo, Livorno.
2015
Hope, video installazione, curato da Lucilla Saccà e Spela Zidar, Trasmigrazioni/Spazi aperti, Chiostro in Azione, UniFi.
Hope, phosphorescent installation on path, border Grimaldi (It) and Mentòn (Fr).
Clandestino, Ventimiglia.
Madre coraggio degli innocenti, Appendice d’artista #6 (Gulsun Karamustafa), Villa Romana, Firenze.
2014
Logbook: sweet hopes. Documents, discussions and reflections on journeys of hope curated by Pamela Barberi, Poienlab-ricerca sociale, Pistoia.
What have you done concretely for your freedom?, “Appendice d’artista” #5 (Juan Pablo Macias), Villa Romana, Firenze.
Paesaggio camouflage, Open Studios, Villa Romana, Firenze.
In odor di brigantaggio, curated by Federico Bacci and Lucia Giardino, Guilmi Art Project (GAP), Guilmi (CH).
Paesaggio geotermico, “Appendice d’artista” #4 (Mikhail Karikis), Villa Romana, Firenze.
Hello Pump Pump safe pain relief, collective curated by the artists Juan Pablo Macias, Federico Cavallini, Dario Gentili, Andrea d’Amore, Enrico Bertelli, Sincresis, Cultural Association for Contemporary Arts, Empoli.
Antropocene, Piano x 12 space for conviviality and contemporary culture, Firenze.
UOWO, edible performance within the collective Hello Pump Pump safe pain relief, curated by the artists Juan Pablo Macias, Federico Cavallini, Dario Gentili, Andrea d’Amore, Enrico Bertelli, Sciatò, Serravalle Pistoiese (PT).
Clandestino, edited by Simone Ialongo, Contro Caretta della Speranza, Pantelleria (TP).
2013
We Love Lebowski, Suden, curated by Angelika Stepken, Deutsche Bank KunstHalle, Berlino. (ciboideale)
Black/white, Play With Food 5, Torino. (ciboideale)
2012
Still life vs. natura morta, “Appendice d’artista” #3 (Martino Chiti), Villa Romana, Firenze.
Appendice d’Artista, “Appendice d’artista” #1 (Ketty La Rocca), Villa Romana, Firenze.
2011
We Love Lebowski, Villa Romana, Firenze. (ciboideale)
2010
Black/white, curated by Maurizio Vanni, Exhibitalia, Art Basel, Miami. (ciboideale)
Black/white, La Casa de los Jiacintos, Madrid. (ciboideale)
Black/white, ARTe en AcciOn, Espacio Espora, Madrid. (ciboideale)
Black/white, From art images to the imagination of life, curated by Maurizio Vanni, Lucca
Center of Contemporary Art. (ciboideale)
2009
Pantheoff, curated by Maurizio Vanni, Festival della Creatività Sala Monumentale, Firenze. (ciboideale)
Black/white, curated by Linda Giusti, Lucca Center of Contemporary Art. (ciboideale)
Iceberg trilogy, Brick Box, Corte 17, Prato. (ciboideale)
The Global Compromise, Play, Lungarno Serristori, Firenze. (ciboideale)
Cieli, Un mondo visivo nuovo, curated by Maurizio Vanni, Lucca Center of Contemporary Art. (ciboideale)
Iceberg trilogy, Attic Studio, Medesano (Pr). (ciboideale)
2008
Iceberg5 carpe diem, Videomateria, curated by InFlux, Mac, N-art Museum
Contemporary and twentieth century, Monsummano Terme (Pt). (ciboideale)
Iceberg4 carpe diem, curated by InFlux, Dialogues: images and sounds in motion, ParcoPertini, Pistoia. (ciboideale)
Iceberg3, curated by Lorenzo Guasti and Costanza Baldini Center for Contemporary Art Pecci di Prato. (ciboideale)
Iceberg2, curated by Andrea Mi, Fabbrica Europa, Firenze. (ciboideale)
2007
Cribrazione, curated by Lorenzo Guasti and Costanza Baldini , Digiarte exposition on Secondlife. (ciboideale)
2005
Cribrazione, Station to Station, Mandela Forum, Firenze. (ciboideale)
2004
Ex-regalo, BZF Vallecchi, Firenze. (ciboideale)
I giorni di Louise, Station to Station Extemporanea, Mandela Forum, Firenze. (ciboideale)
2003
Senza Senso, Station to Station Extemporanea, Stazione Leopolda, Firenze. (ciboideale)
2002
Fuori binario,Station to Station Extemporanea, Stazione Leopolda, Firenze. (ciboideale)
_PUBBLICAZIONI
2010
Cieli, Videoart Yearbook 2010 curate by Renato Barilli, Alessandra Borgogelli, PaoloGranata, Silvia Grandi, Fabiola Naldi and Paola Sega, Chiostro di Santa Cristina, Bologna. (ciboideale)
2007
Cribrazione, Corti in Libreria, Edizioni Mir. (ciboideale)
Cribrazione, MUV music and digital art festival. (ciboideale)
Cribrazione, Supernova emergenze creative. (ciboideale)
_NON AUTORIZZATE
2008
Iceberg, Ruota degli Esposti, Firenze. (ciboideale)
2005
We Love Ciboideale, Quarter Art Production Center, Firenze. (ciboideale)
2003
Tentativo di sottrarre del cibo all’Assessore alla Cultura, casa editrice Vallecchi, BZF Vallecchi, Firenze. (ciboideale)
Tentativo di digestione, Ovonda, Firenze. (ciboideale)
_FESTIVAL CINEMA
2012
We love Lebowski, Aquila Film Festival. (ciboideale)
Black/white, Kinotavr, Sochi, Russia. (ciboideale)
2010
Black/white, Lucania Film Festival. (ciboideale)
2007
Cribrazione, Queer Festival, Firenze; censure, Istituto Stensen, Firenze. (ciboideale)
Cribrazione, Cyborg Festival, Anghiari (Ar). (ciboideale)
Cribrazione, Siracusa Film Festival. (ciboideale)
Cribrazione, VideoPuntoZero, Torino. (ciboideale)
_TALK
2019
Design Campus – Al confine tra oggetto e opera, Calenzano (FI).
2009
Cribrazione trilogy, Gli incontri dell’Abbondanza, curate by Maurizio Vanni, Palazzo dell’Abbondanza, Massa Marittima (Gr). (ciboideale)
_COLLEZIONI
Iceberg trilogia, Collezione Franco Franchini, Isola d’Elba (LI). (ciboideale)
Iceberg5 carpe diem, Mac, N-Museo d’Arte Contemporanea e del Novecento, Monsummano Terme (Pt). (ciboideale)
